Archive for the Education Category

Mother Jones has a long, chilling feature on The Judge Rotenberg Education Center, a private radical behavior-modification school based in Canton, Mass. The school is run by a rogue behaviorist who uses discredited “punishment” techniques — electroshock — on children as young as nine to change their personalities. Matthew Israel, the school’s $400,000/year executive director, straps homemade, overpowered shock apparatus to children (including severely autistic and retarded kids) and has his staff administer strong shocks for even minor infractions. Some children have been shocked thousands of times a day, and several children have died at the school.

Eight states send troubled children to the school, where “high functioning” kids are “educated” by being sat in front of computers all day, running through automated tutorial programs. Talking, fidgeting, or acting out during this “school” time is punished with shocks. Some kids’ shock apparatus misfires, shocking them without any provocation. The staff are instructed to activate the shock apparatus out of sight of the children, so that they can’t mentally or physically prepare for it.

The Rotenberg process lacks any kind of scientific basis, and the school uses a 20-year-old film of its “successes” to convince parents to send their children to the program — however, some of the success stories in the film are still institutionalized at Rotenberg 20 years after their “cure,” wheelchair bound and in terrible shape.

Then, in June of 2006, a report produced by the New York State Education Department threatened to destroy the program’s carefully cultivated image. A group of investigators, including three psychologists, spent five days at the Rotenberg Center and compiled a 26-page document packed with damning findings.

* Staff shock kids for “nagging, swearing, and failing to maintain a neat appearance” and once threatened to shock a girl who sneezed and then asked for a tissue.

* Some students must “earn” meals by not displaying certain behaviors. Otherwise they are “made to throw a predetermined caloric portion of their food into the garbage.”

* When students enter and leave the school each day, “almost all” are wearing some type of restraints, such as handcuffs or leg shackles.

* “Students may be restrained”–on a four-point restraint board or chair–”for extensive periods of time (e.g. hours or intermittently for days).”

* Some students are shocked while strapped to the restraint board.

* A “majority” of employees “serving as classroom teachers” are “not certified teachers.”

* Rotenberg’s marketing reps bestow presents on prospective families–”e.g. a gift bag for the family, basketball for the student.”

* Although the center has described its shock device as “approved” by the fda in its promotional materials, it “has not been approved.”

* The facility collects “comprehensive data” on behaviors it seeks to eliminate, but “there was no evidence of the collection of data on replacement or positive behaviors.”

* The facility makes no assessment of the “possible collateral effects of punishment such as depression, anxiety, and/or social withdrawal.”

Originally by Cory Doctorow from Boing Boing on August 30, 2007, 6:34am

Fortean Times 1365 12
David sent around this book Wholly Irresponsible Experiments to our team, I haven’t heard of this book (has anyone else?) - Here’s a review of it by Ian @ the Fortean Times -

Science can be looked at in two ways, I suppose: as a self­less quest for know­ledge in the serv­ice of human pro­gress; or as a really good excuse to blow shit up. This book sits firmly in the second camp, and as I make a living org­an­is­ing this kind of stuff for public audi­ences at one of the UK’s hands-on science centres, it was inev­it­able that Wholly Irrespons­ible Experi­ments would land in my in-tray.

d, then? Well, yes, but not actu­ally wholly irres­pons­ible. It comes with inst­ruct­ions that tell you to put the match out after light­ing a candle and does not employ any­thing more eso­teric than house­hold ingred­ients. It does not feat­ure any­thing with a blast radius, or the potent­ial to be struct­ur­ally dam­ag­ing or a gross vio­lat­ion of health and safety law.Wholly Irresponsible Experiments | Books | Reviews | Fortean Times UK - Link.

[Read this article] [Comment on this article]

Originally from MAKE Magazine on August 30, 2007, 6:00am


Miikka writes -

It’s bit late and off-topic, but anyway, if you haven’t seen it yet… here is a cool use for your oscilloscope: use it as a display for a demo. This demo won the third place in Assembly Summer ‘07 shortfilm competition. I really like those sine waves. By the way, the guy who made this is 15 years old. The oscilloscope is connected to PC soundcard and is in X/Y-mode, with right channel connected to X and left to Y input. Download its waveform from here to see it on your oscilloscope!

[Read this article] [Comment on this article]

Originally from MAKE Magazine on August 29, 2007, 12:00pm

Olam Qatan is a spiritual books and world music store in Emek Refaim St, Jerusalem, Israel. I spoke briefly with it’s owner Ya’qub ibn Yusuf, who explained some of the music and books available in his store. Sounds like there’s a fusion of East meets West happening in Israel and Turkey, which is really interesting to hear. It’s great to speak with Independant store owners - their passion for music & books is contagious and it’s great to discover new sounds and genres.

If you can’t make it personally to the store, take a look at their website, http://olamqatan.com/. From September (2007) the music will be available to preview online. The Articles and About Us sections are of particular interest as they explain more about the store and it’s history. They used to run classes after hours, at the “Olam Qatan School” at the store, where people could hear lectures, attend workshops and listen to concert performances. Now the store is branching out to publishing books and spreading the word of the local music releases and performers. So if you’re not familiar with Israeli, Turkish and Middle Eastern sounds, check them out.

The videos below are of Ya’qub ibn Yusuf, the store owner, explaining the music & books that can be found in the store. He also gives a brief summary of independent music in the region today which is interesting to hear. And he gives plenty of recommendations if you’re looking for some sounds to listen to or books to read.

There are 3 videos discussing music and some of the music releases, and one discussing the books.

(I had to lower the video quality slightly to make the file sizes more managable so apologies for the quality of the video. I have higher res versions)

You can find out more about these books & music albums by visiting the Olam Qatan website or emailing info@olamqatan.com

video part 1 : music

br />
/p>

/p>

Originally posted by AliaK from [filter] Australian electronic music, arts, media, project listings, ReBlogged by bexta on Aug 29, 2007 at 09:24 PM

Originally by AliaK from Eyebeam reBlog on August 29, 2007, 7:24pm

The publisher of Baby Tattoo books is holding a weekend event for 100 people to meet and hang out with great artists, many of them featured on Boing Boing. Early bird registration ends this week. It’s being held at the Mission Inn Hotel and Spa in Riverside, California, on October 5-7, 2007.

Q: What is Baby Tattooville?

A: Baby Tattooville is a weekend-long event geared toward art collectors. The event is being called a “Limited Edition Retreat” because only 100 paying attendees will be allowed to spend the weekend participating in both scheduled and spontaneous experiences with the event’s featured artists and special guests. In addition to social and educational interaction with fellow participants, Baby Tattooville attendees will receive surprise collectible items. The price of the event includes Friday and Saturday night hotel accommodations, a Friday night party with a no host bar, several informative panels and presentations, a Saturday night merchandise event and a Sunday brunch buffet. Registration is currently open, but will close as soon as 100 paid registration forms have been received.

Q: Who are the Baby Tattooville featured artists and special guests?

A: Gary Baseman, Tim Biskup, Gris Grimly, James Jean, Frank Kozik, Tara McPherson, Ragnar, Jeffery Scott (1019), Jeff Soto and Amanda Visell have been announced as featured artists as of August 6, 2007. Some special guests may also be revealed at a later date (maybe as late as at the event itself). An element of mystery is part of the whole Baby Tattooville vibe, so you need to be comfortable with the fact that we’re going to keep you guessing. Unforeseen circumstances may prevent any given artist from attending, so individual featured artist participation is not guaranteed; however, there will be a blockbuster group of ten or more in-demand artists on hand for all of the festivities. You will not be disappointed.

>

Originally by Mark Frauenfelder from Boing Boing on August 27, 2007, 10:07am

John Joseph Adams sez,


I’ve just launched the website for my forthcoming anthology Wastelands: Stories of the Apocalypse, which features stories by Stephen King, George R. R. Martin, Boing-Boing’s own Cory Doctorow, and many others.

The site has quite a lot of information about the anthology, the stories, and the contributors. You can read the header notes for the stories, the introduction to the anthology, excerpts for most of the stories, and three stories can be read in their entirety.

nks, John!)

Originally by Cory Doctorow from Boing Boing on August 28, 2007, 5:35pm

Critical Planning: A Journal of the UCLA Department of Urban Planning / Spatial Justice, Volume 14, Summer 2007

Purchase a copy of Spatial Justice, Volume 14 of the Critical Planning Journal and help support Just Space(s), an upcoming exhibition and symposia in Los Angeles also on the theme of spatial justice.

Table of Contents / Volume 14 (52KB PDF)

What Makes Justice Spatial? What Makes Spaces Just? / Three Interviews on the Concept of Spatial Justice (3.3MB PDF) // Critical Spatial Practice Reading Group: Nicholas Brown, Ryan Griffis, Kevin Hamilton, Sharon Irish, and Sarah Kanouse

Spatial Justice for Ayn Hawd / Thoughts on an Alternative Master Plan for a Palestinian Village (2.6MB PDF) // Sabine Horlitz and Oliver Clemens

Editorial Note: Why Spatial Justice? (3.7MB PDF) // Ava Bromberg, Gregory D. Morrow, and Deirdre Pfeiffer

This volume proceeds from the notion that justice is, and should be, a principal goal of urban planning in all its institutional and grassroots forms. Yet why speak of spatial justice instead of social justice? What do critical spatial thinking and practices contribute to the pursuit of justice?

Over the past three decades, activists seeking a more fair distribution of the benefits and burdens of society have increasingly turned from conceptions of (economic) equality to broader coalitions of justice. This appeal for a “just” society has been a powerful rallying point for a wide range of social justice movements – economic justice, racial justice, environmental justice, etc. – that collectively frame justice in both material (re-distributive policies) and non-material terms (liberty, happiness, opportunity, security, etc.). John Rawls (1971) most clearly articulated this paradigm with his two principles of justice: 1) that everyone should have an equal right to have equal basic liberties within a total system that ensures liberty for all, and 2) that social and economic inequalities, where necessary, should be arranged to benefit the least advantaged among us. Indeed, most post-war western democracies through the early-to-mid 1970s pursued Keynesian economic policies that operated within these principles – shifting resources from “have” to “have not” regions in an attempt to ensure the least advantaged would have an equal opportunity to succeed.

The economic crises of the 1970s, however, began to weaken these principles; global trade practices, the offloading of responsibilities to macro and micro-level institutions (the EU, WTO, World Bank, NAFTA, etc. at one extreme and common interest communities, business improvement districts, neighborhood associations, etc. at the other), and a concentration of investments in the most globally competitive urban agglomerations have collectively ushered in a new paradigm of neoliberal Darwinism. The predictable decline of rust-belt and rural regions is replicated at the micro level between have and have not neighborhoods, and at the macro level between have and have not global regions. The result is an intensification of a distinct pattern of geographic disparity.

It is out of this painful transition to the “new economy” (economic restructuring, globalization, flexible accumulation, etc.) that many of the current global justice movements emerged. Yet, these justice movements have largely retained the Rawlsian conception of a universal justice, illustrating the conflicting nature of Rawlsian justice that has guided much of recent efforts: while its intent seeks to ensure equality and fairness, as a normative ideal, it leaves social and spatial difference out of the equation. It also fails to discuss where such shared notions of justice would be established and activated.

By the 1990s, faith in this normative justice began to wane as activists recognized not only the new geographies of injustice but also that the circumstances of different social groups mattered – that a one-size-fits-all justice (as conceived by the well-educated, largely white elite) did not necessarily serve everyone equally (as Young (1990) and Harvey (1996) so vividly conveyed). Indeed, we now understand that the distribution of material wealth, opportunity, health outcomes, educational attainment, job creation, and virtually all of the metrics of quality of life are not distributed equally across space – that one-size-fits-all justice does not account for growing regional disparities (which are also strongly correlated with race and ethnicity).

A few key texts – for example, Harvey (1973), Lefebvre (1974), and Soja (1989) – especially challenged social scientists to question the long-accepted treatment of space (or territory) as fixed, unproblematic and inconsequential. Instead, seeking justice means understanding the dialectical relationship between not only the economic and social conditions of different groups, but also the geography of injustice – that is, how the social production of space, in turn, impacts social groups and their opportunities. The earliest use of the terms “territorial justice,” “spatial justice” or “socio-spatial justice” – for example, Davies (1968), Reynaud (1981), and Pirie (1983) – linked geographic distribution to concepts of fairness, but few scholars interested in social justice have thus far explicitly treated space as socially (re)produced. Among the notable exceptions are Flusty (1994), Soja (2000) and Dikec (2001). Much works remains, particularly in theorizing what spatial justice means and how it can be usefully deployed as a framework for critical practice. Yet, a growing body of literature is beginning to contribute to the concept; some additional references are included in the further reading section.

As the texts in this volume reflect, the renewed recognition that space matters offers new insights not only to understanding how injustices are produced through space, but also how spatial analyses of injustice can advance the fight for social justice, informing concrete claims and the activist practices that make these claims visible. Understanding that space – like justice – is never simply handed out or given, that both are socially produced, experienced and contested on constantly shifting social, political, economic, and geographical terrains, means that justice – if it is to be concretely achieved, experienced, and reproduced – must be engaged on spatial as well as social terms.

Thus, those vested with the power to produce the physical spaces we inhabit through development, investment, planning (and their antitheses) – as well as through grassroots embodied activisms – are likewise vested with the power to perpetuate injustices and/or create just spaces. If, as Lefebvre (1974) suggests, space is not just “out there” but is produced and reproduced by social relations, it is incumbent upon planning practitioners, theorists, community organizers and residents alike to take a critical position about their own roles in perpetuating or mitigating spatial injustice. What a just space looks like is necessarily left open, but must be rooted in the active negotiations of multiple publics, in search of productive ways to build solidarities across difference. This space – both process and product – is by definition public in the broadest sense; the opportunity to participate in inscribing its meaning is accessible to all. As Deutsche (1996: 269) eloquently states: “how we define public space is intimately connected with ideas about what it means to be human, the nature of society, and the kind of political community we want.” Justice is therefore not abstract, and not solely something “handed down” or doled out by the state; it is rather a shared responsibility of engaged actors in the socio-spatial systems they inhabit and (re)produce.

One idea not directly addressed by the contributors to this volume is how diverse struggles, being inherently connected through the fact that we live, experience, and reproduce justice and injustice in space, may be furthered by alliances and solidarities across different scales and scopes. The power of connecting “issue based” social movements (environmental, economic, racial, gender, labor, etc.) within and across geographical scales (from the local to the global) to organize collective action has yet to be fully explored in practice. Perhaps mobilizations at multiple and simultaneous scales can create sustained levels of visibility and greater pressure for change that broaden a base of popular support. Such attempts may yet produce ever more effective political and practical strategies, and inspire the extension of functional networks. A burgeoning national movement around “The Right to the City,” which began in late January with a convening of representatives from “over thirty community-based social movements and resource organizations from eight metropolitan areas” in Los Angeles, provides an excellent example of one such attempt. The objectives for the initial meeting – “to build collective capacity for local urban struggles to become a national movement around the right to the city; to provide a frame and structure…for regional organizing and for connecting intellectuals to the work being done; and to build a national network / alliance that will allow organizations to learn from one another, that will create a national debate on issues affecting urban communities…and [to] to coordinate a national program” – illustrate the goal of casting a wider net, to incorporate multiple issues as well as intellectual work to further shared struggle. (Right to the City, Notes from the inaugural convening 2007: 1) This is but one of many examples to follow closely in the years to come.

While much theorizing about – and active experimentation with – the role and potential of a spatial justice frame remains undone, we see this volume contributing to the articulation of a very powerful concept. The notion that this and future work can further the active production of just spaces remains at the heart of our interest in it. The specificity it provides may yet be part of what helps us evolve from a society with abstract and faraway aspirations for justice and highly developed modes of reacting to injustices, to a society that arrives at the particular expression of what a just version of our society will be like, and the means to secure it for all. The task is no less than the development of immaterial and concrete conditions that can reproduce justice exactly where we stand, in our neighborhoods and our institutions, at the level of the body, the home, the street corner, the city, the region, the network, the supranational trade agreement and every space within, between, and beyond.

Ava Bromberg
Gregory D. Morrow
Deirdre Pfeiffer

Just Space(s) exhibition and symposia at LACE (Los Angeles Contemporary Exhibitions), September 26 – November 18, 2007.

Originally from Critical Spatial Practice by nicholas_senn reBlogged by caleb waldorf on Aug 16, 2007, 10:00PM

Originally by caleb waldorf from calebwaldorf.net on August 16, 2007, 10:31pm

Still catching up on my RSS reading, I see this disturbing report from the journalism educators’ conference on the state of new media art in j-school and college papers. You’d think that they’d be way ahead of the industry, right? The young people live and breath this stuff, or so we’re told; soon we won’t even need to train them in multimedia because they’ll come in growing up omnimedia. Not so fast:

About 91 percent of college newspapers had online presences in 2007, but the percentages are much lower for other forms of college media — 36.3 percent for radio stations, 20.9 percent for television stations, 18.1 percent for magazines and 6 percent for yearbooks. There were, however, “appreciable gains” in the proportion of college media outlets using multimedia technologies in 2007 compared to 2006: For instance, in 2006, 20.9 percent used podcasts, versus 38.4 percent in 2007. The use of Weblogs increased from 19.8 to 35.8 percent, RSS feeds from 23.5 to 35.1 percent, streaming video from 16.6 to 30.5 percent, embedded video (including YouTube) from 9.6 to 42.4 percent and comments features from 39.6 to 57 percent.

od news that only a third of college papers use blogs and RSS? Ouch. This isn’t just about being cool. It’s about jobs:

Meanwhile, even the smallest commercial newspapers, with 10,000 readers or fewer, are looking for reporting candidates with experience writing for the Web and uploading stories to the Internet, according to a survey of newspaper managing editors conducted by Wendelken and Toni B. Mehling of James Madison University. Of nine respondents in the “large daily newspaper” category (those with a circulation of 44,000 and above), eight required reporters to have skills in capturing audio while four required audio editing skills. Five required reporters to have skills in capturing video, while one required video editing expertise. Major newspapers, said Wendelken, “are looking at reporters to do these things from the start.”

When discussing barriers to new media education, panelists and audience members cited costs (although Murley stressed that many of the technologies can be used fairly cheaply), in addition to resistance from some faculty who lack multimedia skills themselves or otherwise don’t see the need to instruct undergraduates in the emerging platforms. But they also cited resistance from journalism students themselves.

“A lot of college students select their medium in high school. When they come onto campus, they’re already a TV person or a radio person or a newspaper person,” said Wendelken.

“I’m a print journalist,” he continued, imitating the attitude of many aspiring journalists. “Why do I need to learn video?”

There is no such thing as a print journalist anymore. There are journalists who now can work in any medium for any media company.

Originally by Jeff Jarvis from BuzzMachine on August 16, 2007, 7:03am

Mark Frauenfelder:
The publisher of Baby Tattoo books is holding a weekend event for 100 people to meet and hang out with great artists, many of them featured on Boing Boing. Early bird registration ends this week. It’s being held at the Mission Inn Hotel and Spa in Riverside, California, on October 5-7, 2007.

Q: What is Baby Tattooville?

A: Baby Tattooville is a weekend-long event geared toward art collectors. The event is being called a “Limited Edition Retreat” because only 100 paying attendees will be allowed to spend the weekend participating in both scheduled and spontaneous experiences with the event’s featured artists and special guests. In addition to social and educational interaction with fellow participants, Baby Tattooville attendees will receive surprise collectible items. The price of the event includes Friday and Saturday night hotel accommodations, a Friday night party with a no host bar, several informative panels and presentations, a Saturday night merchandise event and a Sunday brunch buffet. Registration is currently open, but will close as soon as 100 paid registration forms have been received.

Q: Who are the Baby Tattooville featured artists and special guests?

A: Gary Baseman, Tim Biskup, Gris Grimly, James Jean, Frank Kozik, Tara McPherson, Ragnar, Jeffery Scott (1019), Jeff Soto and Amanda Visell have been announced as featured artists as of August 6, 2007. Some special guests may also be revealed at a later date (maybe as late as at the event itself). An element of mystery is part of the whole Baby Tattooville vibe, so you need to be comfortable with the fact that we’re going to keep you guessing. Unforeseen circumstances may prevent any given artist from attending, so individual featured artist participation is not guaranteed; however, there will be a blockbuster group of ten or more in-demand artists on hand for all of the festivities. You will not be disappointed.

://feeds.feedburner.com/~a/boingboing/iBag?a=DxPNMB”>

Originally by Mark Frauenfelder from Boing Boing on August 27, 2007, 11:06am